Abracadabra Film Review :
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Carmen is a housewife from Madrid mother of teen Toñi and married with the macho man and obsessed with soccer Carlos, which her daily life complicating due to the abusive character of Carlos. During the party after a wedding of Carmen’s nephew, her cousin Pepe decides prove his abilities as showman with a hypnosis session. After Carlos mocks Pepe in front of all invited, a ghost possesses Carlos, suffering strange and radical changes of attitudes and behaviors. Meeting with Pepe, Carmen looking for answers to discover what’s happening. Helped by Prof. Fumetti, Pepe’s mentor, Carmen realizes that Carlos is possessed by the spirit of Tito, a schizophrenic young man who in early 80’s killed his own mother and a several assistants to a wedding party before commit suicide in the same restaurant where he worked and where Carmen’s nephew celebrated his party. With time running out, Carmen and Pepe try to exorcise the evil spirit before Carlos be totally annulled by Tito, at the same time …
An in fact amazing blend of the business and the individual, Pablo Berger’s winded wild ride Abracadabra daringly goes out on a few appendages without a moment’s delay. All out Spanishness, components of noir, gothic frightfulness and social critique meld into a brilliantly hued, eye-getting dim drama that is unavoidably all in or all out yet never, ever dull — like a more cerebral Alex de la Iglesia, in whose soul of controlled incoherence the film has been made. For sure, Abracadabra winds up looking especially like a cinephile’s reverence to those bits of Spanish film — beginning with grimy authenticity before turning out into spine chillers, gut and the mysterious — that Berger has delighted in finished the years.
His last, Snow White, won honors past Spain and Europe, making universal buzz around an executive who with Abracadabra has conveyed an exceptionally Spanish thing. This may clarify its get-away time discharge in Spain, while the at-home rivalry is low — however in spite of its imperfections, it holds enough brio and style to recommend that Euro and Latin American regions may take after. For the record, Abracadabra is on Spain’s three-film accommodation waitlist for the best outside dialect film Academy Award.