Flashburn Film Review :
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Wes Nolan wakes up in an abandoned warehouse with a case of amnesia. He has been kidnapped by someone named “Lazarus” who has him held captive in order to get the cure for an Ebola outbreak. Wes was a virologist and microbiologist who was working to engineer a bacteria protein carrier to attack the Ebola virus before it could destroy human cells. Instead of destroying the Ebola, however, Wes’ protein mutated the virus into something much more potent. Now Wes must try to regain his memory and try to find the cure.
Dystopian stories include an additional level of trouble in narrating and to convey a world that has finished. This motion picture maintains a strategic distance from the banality of concentrating on the conditions of making due in this world and rather concentrates naturally on a captured researcher and his endeavors to find a cure for the beast he made which obliterated most life on the planet. An account of this bore requires capable bearing so the group of onlookers can appreciate the story as it is told. Another solid purpose of this undertaking is the reasonable acting of the primary character, depicted via Sean Patrick Flanery; his commitment to the film is fundamental. His acting is excellent and talks a considerable measure for his experience as a performing artist and also chief Giorgio Serafini’s dominance in managing his on-screen characters to accomplish what he has imagined. Generally speaking the film is extremely engaging, the story line is both pleasant and very much conveyed, and it is an awesome wellspring of motivation to every autonomous producer.